<![CDATA[Thomas Johnson - Home]]>Sun, 18 Aug 2019 08:39:43 -0700Weebly<![CDATA[Client Spotlight: 911 Dispatch]]>Fri, 16 Aug 2019 03:25:37 GMThttp://tjlogos.com/home/client-spotlight-911-dispatch
The hardworking ladies at our local comm center deserve their own custom logo. They deal with more stressful situations than most of us can imagine. And of course they love their coffee. I got a few nice coasters out of the deal as well!
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<![CDATA[Oregon or Miyazaki?]]>Wed, 14 Aug 2019 13:02:42 GMThttp://tjlogos.com/home/travel-oregon

I love this ad campaign.
In March 2018, Travel Oregon released an advertisement inspired by japanese animation, particularly the 2D works of Hayao Miyazaki and Studio Ghibli. The ad, created in collaboration with Wieden+Kennedy, Psyop, and Sun Creature, is entitled Only Slightly Exaggerated, as is the overall campaign to promote the state’s attractions ahead of the summer 2018 season. The 90-second animation is a departure from traditional travel advertisements that feature high-detailed, realistic videography.

The ad is so different that many people assume at first that it is promoting an upcoming Miyazaki film. When viewers are surprised at the end with the words “Travel Oregon,” many want to share the video with their friends and family, if only because of its novelty. For fans of the Studio Ghibli style films, the effect is doubled. Even for those unfamiliar with the studio’s work, the atmosphere is gently intoxicating. In this age of 3D animation, a hand drawn work of has an other-worldly touch that hearkens back to when cartoons didn’t try so hard to look cutting-edge.

In 2014-2015, Travel Oregon ran another campaign featuring the state’s beautiful landmarks, calling it The Seven Wonders of Oregon. This time around, they are largely focusing on the same attractions, but playfully graduating them from photographic world-wonders to fantastic out-of-this-world wonders. The ad says to an entire generation of adults that grew up with hand-drawn cartoons, “You know that dream-world you’ve been in love with? Oregon is like that. Come to Oregon.”

Unlike a traditional business, Travel Oregon must rely largely on its beneficiaries to promote its message. Their main job is to simply have a message and make big, simple, and charming. Media outlets are encouraged not to over-fantasize the content, but rather use the exaggerated scenes in the animation as launching pads for discussion of their real-life counterparts. Of course, this is just in an official capacity. No one can stop people on social media from playfully claiming that Oregon is actually a Miyazaki fantasy-world, and why would they want to?

Travel Oregon deals in the realm of potential products and services— the agency is not directly providing them. In a business that markets something more tangible, researchers augment their products to better serve the consumer. Travel Oregon’s role is slightly different: much of what makes Oregon an attractive destination need not be improved upon. The task is to simply get people there so they can realize this for themselves. 

-TJ

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<![CDATA[New site!]]>Thu, 08 Aug 2019 14:23:36 GMThttp://tjlogos.com/home/new-site
I'm redesigning my website to be part art/design blog and part portfolio. If you're reading this you're in on the ground floor. The idea is to post my work, feature my clients and their work, and start conversations about art, design, business, and leadership. This image is a painting by one of my favorite artists, John Harris. He's done a lot of Sci-Fi book cover art for authors like Ben Bova and John Scalzi. This sort of work inspired quite of few dreams growing up.  When I attempt to write fiction I quickly get world-building disease and forget to write a story. I'm just so fascinated with all the different potential realities that an image such as this represents. Is it a primitive race finding gigantic relics of their technologically superior ancestors? Did someone accidently build a machine that enlarges items to ludricrous sizes? When and where is all this happening?
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